• ARRI SIGNATURE

    Signature Primes are ARRI Full Frame lenses. The Signatures have an LPL mount, a light and robust housing. Warm, soft skin, open shadows with crisp blacks and nice bokeh, soft focus and a warm cinematic tone. With a maximum aperture of T1.8

  • ZEISS SUPREME

    Consistency is one of the key elements offered by the Zeiss Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics.

    All the lenses across the family cover sensors Full Frame.

    The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5. The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling.

    The lenses Zeiss Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.

    A very smooth transition between in-focus and out of focus areas characterize the unique look of the Zeiss Supreme Prime lenses. This adds richer texture and greater depth to the image.

  • ARRI-ZEISS MASTER PRIME

    The ARRI-Zeiss Master Prime Lenses with great image quality. The entire range of Master Primes exhibits virtually no breathing, contrast shift, or color shift between lenses and are available from 12mm to 150mm with a fast stop of T1.3.

  • ARRI-ZEISS ULTRA PRIME

    Introduced in 1999, the ARRI-Zeiss Ultra Prime T1.9 lens set offers a great focal range. Excellent color and contrast and sharpness. The wide focal range starts at a magnificent 8R super wide angle, it is an incredible focal length and ends at 180 mm.

  • ARRI-Zeiss Super Speed

    ARRI-Zeiss Super Speeds released following the success of their Standard Speed lenses, the Mark III series improves on previous housings with larger, more legible focus marks.  Sharp, contrasty, and very bright, they have a seven bladed iris which gives you a nice but much more regular bokeh. 

  • ARRI-Zeiss Super Speed UNCOATED by TLS

    ARRI-Zeiss Super Speeds were launched after the success of their Standard Speed ??lenses, the Mark III series improves on previous housings with larger, more legible focus markings. Sharp, contrasty and very bright, they have a seven-blade iris that gives you a nice but much more regular bokeh.
    nSome ARRI-Zeiss Super Speeds focal lengths had the coating removed with an acid bath on the primary and rear lenses, to have a softer look, with more flare and flare in the image.

  • COOKE S4

    The Cooke S4 lenses that giving warm and pleasing skin tones alongside smooth contrast and a pleasant amount of sharpness. Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture.

  • LEICA R SUPER VINTAGE 60 REHOUSED by GLO

    Servicevision has bought Leica lenses from the 1960s until the end of the 2009 Leica R manufacturing, it is being modified and adapted.

    The Leica R Super Vintage 60 series was made in Germany from the 1960s to the 1970s, lenses have been modified in Servicevision to soften the image and create flares.

    The Leica-R lenses are renowned for their sharp, non-clinical resolution mixed with good contrast and subtly warm colours. The bokeh is smooth when wide open, but still produces the iconic look when stopped down. This is the reason why use the original iris during the rehousing process.

  • SIGMA FF HIGH SPEED

    This lightweight and compact set covers the full range of the latest large sensor cameras while maintaining smooth mechanics and optical quality. In addition, each set is color matched to ensure no hiccups in your post-production work flow.

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