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TOKINA VISTA CINEMA
They have attractive flares and decent contrast with minimal chromatic aberration. Their rounded iris design produces beautiful bokeh and their fast T1.5 stop makes them excellent for low-light situations. They feature uniform mechanical design and gearing positions, making them ideal for professional use.
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Leica R Ultra Super Rehoused by TLS
Servicevision has bought Leica lenses from the 1960s until the end of the 2009 Leica R manufacturing, it is being modified and adapted.
The Leica R Ultra Super were manufactured in Germany, High speed, aspheric with high color range and smoothness in the image
The Leica-R lenses are renowned for their sharp, non-clinical resolution mixed with good contrast and subtly warm colours. The bokeh is smooth when wide open, but still produces the iconic look when stopped down. This is the reason why TLS use the original iris during the rehousing process.
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Leica R Vintage 70 Rehoused by TLS
Servicevision has bought Leica lenses from the 1960s until the end of the 2009 Leica R manufacturing, it is being modified and adapted.The Leica R Vintage 70 has been a great find, it is a series that was manufactured Leitz Canada, it is characterized by their softness and color range
The Leica-R lenses are renowned for their sharp, non-clinical resolution mixed with good contrast and subtly warm colours. The bokeh is smooth when wide open, but still produces the iconic look when stopped down. This is the reason why TLS use the original iris during the rehousing process.
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ZEISS SUPREME RADIANCE
Zeiss Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus.
Zeiss Supreme Prime Radiance lenses are all T1.5. Although being slightly warmer than regular Supreme Primes, they pair very well with them.
The Supreme Primes Radiance are a modification of the original Supreme Prime. They offer the same features as the original Supremes, but feature a different coating process which enhances and controls flares without loss of contrast or T-stop.
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Optimo Prime Angenieux
Angenieux’s new Optimo Primes offer lenses of Full Frame, small and lightweight, primes manufactured specifically to match Angenieux’s line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.
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ARRI-Zeiss Standard
ARRI-Zeiss Standard Speeds arrived between 1964 and 1975. They were designed for use with Arriflex film cameras and offer a smooth pleasing image with cool color rendition and medium contrast.
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nSmall size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras. They are often used as a slightly less sharp and less contrasty alternative to modern lenses.
