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ARRI ALEXA 35
The ARRI ALEXA 35 camera with a new 4.6K Super 35 format sensor and REVEAL Color Science, with 17 stops of dynamic range and 2.5 stops more than previous ALEXA cameras.
Improved sensitivity (lower noise, higher ISO)
160 to EI 6400, with colour accuracy maintained at all exposure levels.
Beautifully rendered, natural skin tones.Sensor: Super 35
Resolution: 4.6K
Latitude: 17 stops
Mount: LPL + LPL to PL adaptor -
ARRI ALEXA 35 XTREME
The ARRI Alexa 35 Xtreme enhances the original Alexa 35 with new features like a faster processor, redesigned cooling for improved stability, extended pre-recording times up to five minutes, and a new, more efficient ARRICORE codec for reduced data rates.
nIt offers higher frame rates through a Sensor Overdrive mode, improved dual-band Wi-Fi with better range and stability, and 10% lower power consumption, all while maintaining the same image quality, reliability, and accessory compatibility. -
ARRI ALEXA MINI
The ARRI Alexa Mini camera is compact and lightweight, the Alexa Mini is the small and versatile all-rounder in the ARRI camera family. It features ARRIRAW licenses, 4:3 sensor, and High Speed up to 200 fps. With internal FSND 0.60/1.20/2.10 filters.
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ARRI ALEXA MINI LF
The ARRI Alexa Mini LF camera combines the light and compact size with the Full Frame sensor and native 4.5K recording of the ARRI Alexa LF. With high dynamic range and less noise. With ARRI colour science for natural skin tones and colour correction.
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ARRI ALEXA PLUS SXT / SXT-W
The ARRI ALEXA SXT-W (Super Xtended Technology) camera with a Super35 3.4K sensor is the evolution of the Alexa XT. With 14 in-camera recording formats in both ProRes and ARRIRAW. It has 4 video outputs for flexible on-set monitoring. Also available in SXT-W version with integrated wireless video.
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ARRI AMIRA PREMIUM
The ARRI Amira is a versatile camera, with an ergonomic design optimised for shoulder-mounted cameras. With 200 fps speed. AMIRA ARRIRAW license allows 16: 9 2.8K (2880 x 1620) MXF / ARRIRAW camera recording at frame rates up to 48 fps. With internal FSND 0.60/1.20/2.10 filters.
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RED KOMODO 6K
The Red Komodo 6K camera is surprisingly small, compact, lightweight and versatile. It introduces Global Shutter Sensor technology, with a Super35 27.03 mm x 14.26 mm (Diagonal 30.56 mm) sensor. With a sensor resolution of 6144 x 3240 pixels. Maximum speeds 40fps. (6K 17:9 6144 x 3240), 48fps. (5K 17:9 5120 x 2700), 60fps. (4K 17:9 4096 x 2160), 120fps. (2K 17:9 2048 x 1080).
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RED RANGER MONSTRO 8K VV
The Red Ranger Monstro 8K VV camera has integrated the entire system of a DSMC2 into a module-less camera, including three SDI outputs (two cloned and one independent). It changes the voltage range to 11.5 to 32V with 12V and 24V power outputs.
nIt is a large format 8K camera with a 40.96 mm x 21.60 mm sensor (Diagonal 46.31 mm). -
RED V-RAPTOR XL 8K VV (copia)
The Red V-Raptor XL camera is characterised by its 8K sensor in VV with a maximum speed of 120 fps. and at 6K S35 with a maximum speed of 160 fps. It is a large format 8K camera with a sensor 40.96 mm x 21.60 mm (Diagonal 46.31 mm) and at 4K you can reach 240 fps. as maximum speed.
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RED WEAPON MONSTRO 8K VV
The Red Weapon DSMC2 Monstro 8K VV is a large format 8K camera with a Full Frame sensor 40.96 mm x 21.60 mm (Diagonal 46.31 mm). A highlight is its wide dynamic range of 17 stops. With a sensor resolution of 8192 x 4320 pixels. Maximum speeds 60fps. (8K), 75fps. (6K), 120 fps. (4K), 240 fps. (2K).
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SONY EXTENSION SYSTEM – RIALTO 2- SENSOR 8K
Improved mobility and maneuverability, it has two extensions: one up to 3 m and another up to 12 m from the camera body to the image sensor unit, offering exceptional flexibility when filming scenes in tight spaces such as vehicles, providing lightness and ease of handling on gimbals, Ronnins, drones, and handheld cameras.
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SONY EXTENSION SYSTEM – RIALTO MINI – SENSOR 8K
Sony RIALTO Mini, the most compact and latest evolution of the extension system for the Sony Venice 2, will be available very soon at Servicevision.
This device, 70% smaller than the original RIALTO, redefines what’s possible on productions that demand extreme mobility without compromising high-end cinema quality.
