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ARRI ALEXA 35 XTREME
The ARRI Alexa 35 Xtreme enhances the original Alexa 35 with new features like a faster processor, redesigned cooling for improved stability, extended pre-recording times up to five minutes, and a new, more efficient ARRICORE codec for reduced data rates.
nIt offers higher frame rates through a Sensor Overdrive mode, improved dual-band Wi-Fi with better range and stability, and 10% lower power consumption, all while maintaining the same image quality, reliability, and accessory compatibility. -
RED V-RAPTOR XL 8K VV (copia)
The Red V-Raptor XL camera is characterised by its 8K sensor in VV with a maximum speed of 120 fps. and at 6K S35 with a maximum speed of 160 fps. It is a large format 8K camera with a sensor 40.96 mm x 21.60 mm (Diagonal 46.31 mm) and at 4K you can reach 240 fps. as maximum speed.
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SONY EXTENSION SYSTEM – RIALTO MINI – SENSOR 8K
Sony RIALTO Mini, the most compact and latest evolution of the extension system for the Sony Venice 2, will be available very soon at Servicevision.
This device, 70% smaller than the original RIALTO, redefines what’s possible on productions that demand extreme mobility without compromising high-end cinema quality.
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ARRI ALEXA 35
The ARRI ALEXA 35 camera with a new 4.6K Super 35 format sensor and REVEAL Color Science, with 17 stops of dynamic range and 2.5 stops more than previous ALEXA cameras.
Improved sensitivity (lower noise, higher ISO)
160 to EI 6400, with colour accuracy maintained at all exposure levels.
Beautifully rendered, natural skin tones.Sensor: Super 35
Resolution: 4.6K
Latitude: 17 stops
Mount: LPL + LPL to PL adaptor -
SONY VENICE 2
The Sony Venice 2 camera with an 8K Full Frame 36 x 24 mm sensor with 16 stops of dynamic range and enhanced color processing. It captures images up to a maximum resolution of 8640 x 5760 pixels.
The Sony Venice 2 has a double ISO base, ISO base 3200 and ISO base 800.
Sensor: 36 x 24 mm. Full Frame
Resolution: 8K
Latitude: 16 stops
Mount: LPL + adaptor LPL to PL -
Canon FD Rehoused by TLS
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range.
During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
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ARRI-Zeiss Standard
ARRI-Zeiss Standard Speeds arrived between 1964 and 1975. They were designed for use with Arriflex film cameras and offer a smooth pleasing image with cool color rendition and medium contrast.
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nSmall size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras. They are often used as a slightly less sharp and less contrasty alternative to modern lenses. -
RED KOMODO 6K
The Red Komodo 6K camera is surprisingly small, compact, lightweight and versatile. It introduces Global Shutter Sensor technology, with a Super35 27.03 mm x 14.26 mm (Diagonal 30.56 mm) sensor. With a sensor resolution of 6144 x 3240 pixels. Maximum speeds 40fps. (6K 17:9 6144 x 3240), 48fps. (5K 17:9 5120 x 2700), 60fps. (4K 17:9 4096 x 2160), 120fps. (2K 17:9 2048 x 1080).
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Optimo Prime Angenieux
Angenieux’s new Optimo Primes offer lenses of Full Frame, small and lightweight, primes manufactured specifically to match Angenieux’s line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.
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ZEISS SUPREME RADIANCE
Zeiss Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus.
Zeiss Supreme Prime Radiance lenses are all T1.5. Although being slightly warmer than regular Supreme Primes, they pair very well with them.
The Supreme Primes Radiance are a modification of the original Supreme Prime. They offer the same features as the original Supremes, but feature a different coating process which enhances and controls flares without loss of contrast or T-stop.
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Leica R Vintage 70 Rehoused by TLS
Servicevision has bought Leica lenses from the 1960s until the end of the 2009 Leica R manufacturing, it is being modified and adapted.The Leica R Vintage 70 has been a great find, it is a series that was manufactured Leitz Canada, it is characterized by their softness and color range
The Leica-R lenses are renowned for their sharp, non-clinical resolution mixed with good contrast and subtly warm colours. The bokeh is smooth when wide open, but still produces the iconic look when stopped down. This is the reason why TLS use the original iris during the rehousing process.
