• Canon FD Rehoused by TLS

    The Canon FD lenses were manufactured from the early 1970s through the late 1980s. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range.

    During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.

  • SONY VENICE 2

    The Sony Venice 2 camera with an 8K Full Frame 36 x 24 mm sensor with 16 stops of dynamic range and enhanced color processing. It captures images up to a maximum resolution of 8640 x 5760 pixels.
    The Sony Venice 2 has a double ISO base, ISO base 3200 and ISO base 800.
    Sensor: 36 x 24 mm. Full Frame
    Resolution: 8K
    Latitude: 16 stops
    Mount: LPL + adaptor LPL to PL

  • ARRI ALEXA 35

    The ARRI ALEXA 35 camera with a new 4.6K Super 35 format sensor and REVEAL Color Science, with 17 stops of dynamic range and 2.5 stops more than previous ALEXA cameras.
    Improved sensitivity (lower noise, higher ISO)
    160 to EI 6400, with colour accuracy maintained at all exposure levels.
    Beautifully rendered, natural skin tones.

    Sensor: Super 35
    Resolution: 4.6K
    Latitude: 17 stops
    Mount: LPL + LPL to PL adaptor

  • SONY EXTENSION SYSTEM – RIALTO MINI – SENSOR 8K

    Sony RIALTO Mini, the most compact and latest evolution of the extension system for the Sony Venice 2, will be available very soon at Servicevision.

    This device, 70% smaller than the original RIALTO, redefines what’s possible on productions that demand extreme mobility without compromising high-end cinema quality.

  • RED V-RAPTOR XL 8K VV (copia)

    The Red V-Raptor XL camera is characterised by its 8K sensor in VV with a maximum speed of 120 fps. and at 6K S35 with a maximum speed of 160 fps. It is a large format 8K camera with a sensor 40.96 mm x 21.60 mm (Diagonal 46.31 mm) and at 4K you can reach 240 fps. as maximum speed.

  • ARRI ALEXA 35 XTREME

    The ARRI Alexa 35 Xtreme enhances the original Alexa 35 with new features like a faster processor, redesigned cooling for improved stability, extended pre-recording times up to five minutes, and a new, more efficient ARRICORE codec for reduced data rates.
    nIt offers higher frame rates through a Sensor Overdrive mode, improved dual-band Wi-Fi with better range and stability, and 10% lower power consumption, all while maintaining the same image quality, reliability, and accessory compatibility.

  • SONY EXTENSION SYSTEM – RIALTO 2- SENSOR 8K

    Improved mobility and maneuverability, it has two extensions: one up to 3 m and another up to 12 m from the camera body to the image sensor unit, offering exceptional flexibility when filming scenes in tight spaces such as vehicles, providing lightness and ease of handling on gimbals, Ronnins, drones, and handheld cameras.

  • ARRICAM LT 3 Perf

    The ARRICAM LT is a film camera in S35 or N35, for direct sound being – 24 dB. It has a PL mount, with a variable electronic shutter from 11.2° to 180°, with a speed range of 1 to 40 fps. forward and 1 to 32 fps. reverse.

    The ARRICAM LT is adapted to the new era with the IndieAssist HD Video Tap for HD video out, the Elokuvakonepaja V-Lock adapter for powering the camera with V-Lock batteries and the Elokuvakonepaja Side Plate with many 3/8″ and 1/4″ threads for attaching all the new accessories.

  • ARRI 235 4Perf

    The ARRI 235 is a film camera in S35 or N35, PL mount, with a variable mechanical shutter from 45° to 180°, with a speed range of 1 to 75 fps. forward and reverse.

  • ARRI 435-ES 3 Perf/4 Perf

    The ARRI 435-ES is a film camera in S35 or N35, PL mount, with a variable electronic shutter from 11.2° to 180°, with a speed range of 1 to 150 fps. forward and reverse.

    The 435-ES is adapted to the new era with the IndieAssist HD Video Tap for HD video out, the Elokuvakonepaja V-Lock adapter for powering the camera with V-Lock batteries and the Elokuvakonepaja Side Plate with many 3/8″ and 1/4″ threads for attaching all the new accessories.

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