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LEITZ SUMMILUX-C
Leitz’ flagship Super 35 lenses, the Summilux-C’s with their pleasing skin tones and medium contrast. They feature a fast aperture through the focal range of T1.4 and virtually no breathing. A unique focus design and use of exotic aspheric elements enable smooth focus pulls and exceptional performance in a compact package.
Designed to be lightweight yet rugged, the mount and lens barrel are manufactured from high-strength titanium. Leica Summilux-C lenses weigh between 3.5 and 4.0 pounds (1.6-1.8kg).
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COOKE S2 SPEED PANCHRO REHOUSED BY TLS
Cooke S2 Speed Panchro were first introduced in the 1930’s. Known for their warm golden tone, unique bokeh, and smooth focus the Panchros have been a favorite for decades. The TLS conversion has been performed on the Panchros to improve them with new housings for modern cinematography work. Sharpness is surprisingly good for a lens this vintage, and contrast is quite low. Direct light produces a very pleasing flare over the entire frame
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ARRI SIGNATURE
Signature Primes are ARRI Full Frame lenses. The Signatures have an LPL mount, a light and robust housing. Warm, soft skin, open shadows with crisp blacks and nice bokeh, soft focus and a warm cinematic tone. With a maximum aperture of T1.8
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ARRI 16 SR3HS ADVANCED
The ARRI 16SR3HS ADVANCED is a S16 or N16 film camera, for direct sound being -20 dB, PL-mounted, with a variable mechanical shutter from 45° to 180°, with a speed range of 5 to 75 fps. forward.
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ARRI 16 sr3 advanced
The ARRI 16SR3 ADVANCED camera is a S16 or N16, direct sound S16 or N16, 20 dB, PL-mount, mechanical variable shutter from 45° to 180°, with a speed range of 5 to 75 fps. forward speed.
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ARRI 416 + INDIEASSIST HD
The ARRI 416 is an S16 film camera, for direct sound being – 20 dB, PL-mounted, with a variable mechanical shutter from 45° to 180°, with a speed range from 5 to 75 fps. forward.
The 416 is adapted to the new era with the IndieAssist HD Video Tap for HD video out, the Elokuvakonepaja V-Lock adapter for powering the camera with V-Lock batteries and the Elokuvakonepaja Side Plate with many 3/8″ and 1/4″ threads for attaching all the new accessories. -
MOVIECAM COMPACT MK2
The MOVIECAM COMPACT MKII is a film camera in S35 or N35, for direct sound being – 19 dB. It has a PL mount, with a variable mechanical shutter from 22.5° to 180°, with a speed range from 1 to 50 fps. forward and reverse.
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ARRI 435-ES 3 Perf/4 Perf
The ARRI 435-ES is a film camera in S35 or N35, PL mount, with a variable electronic shutter from 11.2° to 180°, with a speed range of 1 to 150 fps. forward and reverse.
The 435-ES is adapted to the new era with the IndieAssist HD Video Tap for HD video out, the Elokuvakonepaja V-Lock adapter for powering the camera with V-Lock batteries and the Elokuvakonepaja Side Plate with many 3/8″ and 1/4″ threads for attaching all the new accessories.
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ARRI 235 4Perf
The ARRI 235 is a film camera in S35 or N35, PL mount, with a variable mechanical shutter from 45° to 180°, with a speed range of 1 to 75 fps. forward and reverse.
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ARRICAM LT 3 Perf
The ARRICAM LT is a film camera in S35 or N35, for direct sound being – 24 dB. It has a PL mount, with a variable electronic shutter from 11.2° to 180°, with a speed range of 1 to 40 fps. forward and 1 to 32 fps. reverse.
The ARRICAM LT is adapted to the new era with the IndieAssist HD Video Tap for HD video out, the Elokuvakonepaja V-Lock adapter for powering the camera with V-Lock batteries and the Elokuvakonepaja Side Plate with many 3/8″ and 1/4″ threads for attaching all the new accessories.
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SONY EXTENSION SYSTEM – RIALTO 2- SENSOR 8K
Improved mobility and maneuverability, it has two extensions: one up to 3 m and another up to 12 m from the camera body to the image sensor unit, offering exceptional flexibility when filming scenes in tight spaces such as vehicles, providing lightness and ease of handling on gimbals, Ronnins, drones, and handheld cameras.
