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ARRI-ZEISS MASTER PRIME
The ARRI-Zeiss Master Prime Lenses with great image quality. The entire range of Master Primes exhibits virtually no breathing, contrast shift, or color shift between lenses and are available from 12mm to 150mm with a fast stop of T1.3.
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ARRI-Zeiss Standard
ARRI-Zeiss Standard Speeds arrived between 1964 and 1975. They were designed for use with Arriflex film cameras and offer a smooth pleasing image with cool color rendition and medium contrast.
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nSmall size, good sharpness and contrast, and a large selection of focal lengths have kept these lenses relevant even today, adding a filmic quality to digital cameras. They are often used as a slightly less sharp and less contrasty alternative to modern lenses. -
ARRI-Zeiss Super Speed
ARRI-Zeiss Super Speeds released following the success of their Standard Speed lenses, the Mark III series improves on previous housings with larger, more legible focus marks. Sharp, contrasty, and very bright, they have a seven bladed iris which gives you a nice but much more regular bokeh.
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ARRI-Zeiss Super Speed UNCOATED by TLS
ARRI-Zeiss Super Speeds were launched after the success of their Standard Speed ??lenses, the Mark III series improves on previous housings with larger, more legible focus markings. Sharp, contrasty and very bright, they have a seven-blade iris that gives you a nice but much more regular bokeh.
nSome ARRI-Zeiss Super Speeds focal lengths had the coating removed with an acid bath on the primary and rear lenses, to have a softer look, with more flare and flare in the image. -
ARRI-ZEISS ULTRA PRIME
Introduced in 1999, the ARRI-Zeiss Ultra Prime T1.9 lens set offers a great focal range. Excellent color and contrast and sharpness. The wide focal range starts at a magnificent 8R super wide angle, it is an incredible focal length and ends at 180 mm.
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ARRICAM LT 3 Perf
The ARRICAM LT is a film camera in S35 or N35, for direct sound being – 24 dB. It has a PL mount, with a variable electronic shutter from 11.2° to 180°, with a speed range of 1 to 40 fps. forward and 1 to 32 fps. reverse.
The ARRICAM LT is adapted to the new era with the IndieAssist HD Video Tap for HD video out, the Elokuvakonepaja V-Lock adapter for powering the camera with V-Lock batteries and the Elokuvakonepaja Side Plate with many 3/8″ and 1/4″ threads for attaching all the new accessories.
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Canon FD Rehoused by TLS
The Canon FD lenses were manufactured from the early 1970s through the late 1980s. These lenses soared in popularity once it was understood that they were a close match to the legendary Canon K-35 cine lenses. One of the only true cine lenses from the vintage era to cover full frame sensors. However, the Canon FDs were useless to the cine world as they were designed for stills photography. This is why TLS took on the challenge to rehouse these lenses. Not only do they offer an affordable equivalent to the Canon K-35s, but they can also be used to increase the focal lengths on offer for the limited K-35 range.
During the rehousing process, TLS introduce a circular iris (14-16 blades depending on size) which gives a smooth circular bokeh at any aperture setting. This gives the lenses a more distinctive, cinematic look while also matching the style of the Canon K-35 iris. The new housing is also designed using our non-linear cam focus system across the entire range, including the floating element designs.
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Canon K-35 Rehoused by TLS
The Canon K35 is a set of vintage lenses that were manufactured in the 1970’s and won Canon an Academy Award for optical design in 1977. They are known for their sharpness, low contrast, and exceptional optical performance. It’s ideal for faster and optical design and their compatibility with modern digital sensors, both S35 and Full Frame, (Note: only the 24 mm to 85 mm are compatible for Full Frame). In addition, they have been rehoused by TLS to adapt to current needs, maintaining their vintage quality.
